De la Naturaleza al Cosmos - INARI M.

FROM NATURE TO COSMOS 9 At this stage there is also an important concern to understand and communicate about the spiritual world. Not so much from a religious point of view, but more about what ancient civilisations tried to pass onto us with their myths and legends, about which science is progressively finding pointers on its verisimilitude. As for the CONTENT, this book provides a thread that runs frommy seduction by NATURE toTHE COSMOS: from its beginning, with the initial Cosmic Egg, until its emergence, from which all its magnificence arises, and we contemplate Evolution from its origins until the Present. But afterwards, that thread is extended and expanded, and, in our intrinsic and spiritual evolution, there appears the desire to FLY, to rise up to a higher dimension. Deepening further, we look back to the main LOST CIVILIZATIONS such as Egypt, Atlantis or Lemuria, with which the desire to access their knowledge of them arises, from where we have much to learn. Then it continues, showing many OTHER works different in nature, whose aim is none other than trying to convey concepts or ideas of human evolution and the universe to the viewer. Aspects of our Evolution that seem to be engraved in our DNA, and in our unconscious and ancestral experience. As for the technique, I have developed a Particular Style that uses the three dimensions. After an abstract art phase, I was attracted by the idea of being able to communicate concepts, experiences, opinions... in a clear and realistic way. For that reason, I decided to combine Figurative Art - in the most Classic sense, aiming for excellent quality in oils - with a more Futuristic representation where the three dimensions appear in an even more authentic representation of reality. As such, I am currently working towards finding a more genuine art for our century, with the originality of using different styles, materials and objects on the oils themselves. To do this on a flat surface of two dimensions, on canvas or wood I incorporate three-dimensional elements that bring us closer to a more realistic experience of a third dimension. Depending on the piece, I have used elements such as marble dust, resins, sands, stereoscopic sheets, even fired clay and three-dimensional objects where the third dimension is already patent. Inari M. PRESENTATIONS Technique